Beauty in Brokenness

Words and Photography by Annie Kruyer

Kintsukuroi, ‘to repair with gold,’ is the Japanese art of repairing shattered pottery and ceramic vessels with gold and silver, understanding that the piece is more beautiful for having been broken. I had loved this practice long before it would resonate fully in my own life. But instead
of gold, I would use the gift of light, both physically and spiritually, to mend and bring beauty to all my broken places.

I am an artist. An artist that takes photos. Although formerly trained in Fine Art and Illustration, photography is my first love as my medium of expression, for it so eloquently speaks the language of my soul and frames the complex working of intuitive feelings into something I can reflect on. The word photography comes from the Greek word phos meaning light and graphos meaning writing, which loosely translates to ‘writing with light.’ How beautiful. Writing with light.

Looking back to the months before life as I knew it would change forever, I now believe that on some subconscious, perhaps spiritual, level, we know or are prepared for a death or a parting of a loved one if we knew to pay attention to the signs.

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Imogen Cunningham

Words by Pamela Sutton & Laura Zolman
Photography by Imogen Cunningham

“So many people dislike themselves so thoroughly that they never see any reproduction of themselves that suits. None of us is born with the right face. It’s a tough job being a portrait photographer.” – Imogen Cunningham

The turn of the 20th century in America was not quite ready to embrace working mothers, let alone an avante-garde photographer. Yet over the span of a 70-year career, Imogen Cunningham, with her artistic talent and willful independence, overcame the obstacles of a steeply patriarchal society, a male-dominated photography industry, and the critics of her day. Known for her botanical, nude and portrait photography, she became one of the finest and most sought after photographers in American history.

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Artist Profile: Roberta Pinna

My work celebrates beauty. I use the female figure because, as a woman, that is the lens through which I observe the world and the human condition. Although my figures are often isolated and denied any identity or relation with their environment, I conceive each of them as part of a matrix in relationship to one another. The “Divas” series best expresses my intention: the beauty of the body’s performance of a plunge and the human ability to turn a fall into a flight.

To read more about Roberta Pinna, subscribe to CAKE&WHISKEY magazine or purchase the single issue here.

Artist Profile: Jacklyn Greenberg

Jacklyn’s edge lies in her unique ability to engage and connect with people on a level that delves beyond the surface and into the deeper realm of energy and emotion. This comes, in part, from her extensive travels and immersion in foreign cultures with extended stays overseas in Italy and Australia. After earning degrees in both fine arts and environmental chemistry, she decided to follow her passion and add her intense voice with her inherent air of hyper-realism to the photography world.

To read more about Jacklyn Greenberg, subscribe to CAKE&WHISKEY magazine or purchase the single issue here.

Ms. Small Town USA: Minnesota Photographer

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Words by Pamela Sutton
Photography by Kelly Reed

“Because how we spend our days is, of course, how we spend our lives.”

– Annie Dillard, The Writing Life

Minnesota morning, my fingers wrap around my coffee mug as the low light dawns. The lakes freeze over and the land disappears beneath a slow, bright quilt of snow. My kids cheer. Frost patterns the panes that hold out this display of cold. I still feel trapped. The seasons shift slowly to thaw. The days turn to the longest of the year; verdant, flowing, the water moves again. I live confined where others vacation. But a summer sun rises and I rise with it.

I cannot change my circumstances but I can change my perspective.

Since childhood my camera has been cathartic. So I did what I knew. I began to use my camera to literally photograph the hell out of my life. Within the lens I rediscover that I can create beauty from the mundane. The ordinary becomes sacred art. And so, my photography business is born on the ashes left by my journey.

At the heart of Main Street, I meet with my clients in the warm coffee shop. Here, I am reminded of the tightly woven networks that naturally exist in small towns. There is a powerful common history here. Everyone knows each other or they are related. My friends have roots here. My competition has roots here. I am the outsider embarking on territory where I may or may not be received. However presumptuous, attempting to compete with other photographers has never been my ambition. I am reminded of Ayn Rand when she said that “a creative man is motivated by the desire to achieve not by the desire to beat another.” What I need is to create, to connect and to be part of something greater than myself.

Here is a story I can grow within: where business, community and friends meld. How can I learn to see the beauty here in the frozen nights? What can business teach me about catching the days amid dirty dishes and little faces? Madeleine L’Engle whispers in my ear that we do live, all of us, on many different levels.” I hear her. I believe her. But confined in my Circle of Quiet, it is hard to believe that “the world of imagination is more real than the world of the kitchen sink.” Still, some day’s success is simply enough money to help with groceries and clothing, to put my daughter through dance or to buy books or fishing lures for my boys. This is equally real.

Hands down the biggest challenge I have faced is not related to small town life. It is treating my business like a job instead of an obsession. It is finding balance between work and being mom to my kids. It is choosing between client deadlines and laundry, between social media promotion and “what’s for dinner, mom?”, between working late and rising early. Some days I spin while my kids run in circles and tug on my legs. But what will be important when I look back at this season? If I am so tired I cannot read “Little House on the Prairie,” what does it matter if my house fits in a magazine? If I do not slow down to smile as my children momentarily huddle together under a warm blanket, what does a business mean? For me, having a successful business is equally about spending time with my children and providing a home where they can know they are loved.

Working from the corner office in my home, it is difficult to separate business from family life. I am in the process of bringing to fruition the dream of a studio space by restoring a floor in a rare, historic building with wide open space, with wood floors and large windows for natural light, with a downtown Art District feel. There are days I have had to pinch myself at this opportunity! I believe art is a valuable tool that can help a community grow as it brings people together, further enriching it for everyone. I am eager to use this space not only for my business but to share with others who gravitate toward the arts. I would especially love to see young people use this space as a haven where they can come to freely foster their creativity.

I still miss the energy of the city and the transitions of travelling; Winnipeg, New Zealand and Mexico are memories. Winters feel punishingly long, dark and cold, but coffee tastes best on a cold morning. Good business in a small community is greater than myself. It is to know and love my neighbor, and build my community. It is the reason I get up every morning and the measure by which I determine success. Because Annie Dillard is right that “how we spend our days is, of course, how we spend our lives.” I never intended to start a small photography business in a paper mill town on the border of Canada. I am slowly waking up to discover the art of contentment, no matter what my circumstances.